About Us

With "VaVoom," Sarah Blakemore gives the always-satisfying “behind the velvet curtain” story of a show girl going after her dream a brilliant new twist. The script sparkles with smartly-drawn characters, crisp dialog, and musical numbers laced with a touch of modern irony -- but with lyrics that never lose touch with the timeless appeal of the best of the good old stuff.

Screenwriter and award-winning science fiction novelist Tony Daniel.

Review:

In a small theatre in New Orleans at the beginning of WWII, we meet Lilotta VaVoom, a showgirl with no discernible talent, who dreams of making it big in the business. Add to the mix an oily lothario of an illusionist (Boo!), bitchy chorus chorus girls and ego-driven leading ladies, and you have all the ingredients for a thoroughly enjoyable night out. The songs are catchy, the dancing tight. The large, well drilled cast perform with brio and enthusiasm – and the distinct whiff of hokiness which pervades the piece only adds to the show’s charm. A certain ballast is provided by two journalists (one English, the other American) whose regular broadcasts nicely set-up the historical context of the story.

The New Madeira Hotel, 19 May (until 23)
4/5
Gary Mepsted